LES VOYAGES – COLLECTIF XY
With Les Voyages, Collectif XY transforms Paris La Défense into a vast acrobatic and poetic playground. Photographer Samuel Buton captured…
On the occasion of the Bicentenary of Photography, COAL presents, as part of Les Extatiques, Paris La Défense’s cultural season, Breaches, a monumental open-air photographic exhibition displayed across the walls of the city.
Featuring works by artists: Marine Lanier, Elsa Leydier, Julien Lombardi and SMITH
Breaches take place from 17 September to 15 November 2026.
Image credits: Sabrina Budon / Création : www.pension-complete.com / Paris La Défense RCS Nanterre 833 718 794
Published on 3 September 2026
Breach, n. — An opening, whether deliberate or accidental, in a wall, a rampart or a continuous surface. By extension: a moment when something unexpected seeps in, when an established certainty cracks open to make room for another way of seeing. It is these breaches, carved into the architecture of everyday life, that this monumental photographic exhibition opens up across the La Défense district.
Bringing together a selection of emblematic photographers from the French art scene, the exhibition reasserts photography’s power to summon and transform reality. Affixed directly to the city’s walls or repurposing urban furniture from its usual functions, the photographs quite literally step beyond the frame: they become sculptures, monumental installations, unexpected presences. Real or reimagined landscapes, mineral and aquatic forms, vegetal, animal, strange or hallucinatory presences: the visual narratives they reveal celebrate our interconnections with the living world — a persistent, fertile and elusive presence surfacing at the heart of a mineral, saturated territory. Through sensitive, conceptual and documentary approaches, the artists explore the photographic image’s capacity to bring alternative imaginaries to the fore, where the living world does not stand in opposition to the city but runs through it, permeates it and transforms it.
In celebrating the Bicentenary of Photography, Breaches reminds us of the ever-renewed promise held by this medium: since its birth two centuries ago, photography has continually explored new formats and contexts, relentlessly pushing back its own boundaries. Unbound from traditional frames and deployed on the scale of the city, photography here fully asserts its contemporaneity, capable of surprising, questioning and involving viewers in an active dialogue with their surroundings. It becomes what it has always been: a technology of looking, a way of opening fissures in the apparent evidence of the world.
THE ARTISTS AND THEIR WORKS:
On the façade of Notre-Dame-de-Pentecôte church and the windows of the Paris La Défense Information Point, Marine Lanier brings a liquid presence into the heart of the urban landscape. Taken from her Les Vagues series, these monumental photographs capture the swirling movements of a watercourse, transforming them into abstract landscapes suspended between reality and imagination. Drawing both on personal memories and the world of Virginia Woolf, the artist explores the connections between aquatic environments and our inner landscapes. Through these shifting, immersive images, she invites the eye to wander, allowing the power and mystery of the living world to emerge at the heart of the city.
Marine Lanier develops a photographic practice in which narrative, memory and imagination intertwine. Winner of the Maison Ruinart Prize associated with Paris Photo 2025, she lives and works between Dieulefit and Paris.
What if slowing down could become an act of resistance? With Pasithée, named after the Greek goddess of rest, Elsa Leydier brings photographs of plants and peaceful faces into the urban space, inviting a moment of pause amid the relentless pace of Paris La Défense. Created using the film soup technique, her analogue photographs are transformed through infusions of plants known for their soothing properties, such as chamomile, passionflower and valerian. These interventions alter the very materiality of the photograph, creating images with shifted colours and fluid textures, in which plants become active participants in the creative process. Through these works, the artist opens a sensitive pause within the urban landscape, inviting us to reconnect with another sense of time: the slow and discreet rhythm of the living world.
Elsa Leydier lives and works between France and Brazil. Her photographic practice explores our relationship with nature and the ways in which images shape our perception of the world. Winner of the Maison Ruinart Prize and the Dior Prize for Young Photography in 2019, she has developed a distinctive, colourful visual language shaped by her travels throughout South America.
Julien Lombardi – Planeta
Through a double installation drawn from his Planeta series, Julien Lombardi invites us to explore the geological depths hidden beneath our feet. Echoing the verticality of Paris La Défense, his works take us on a journey through desert landscapes, rock formations and invisible worlds. The artist brings into dialogue a panorama of the Sonoran Desert in Mexico with images inspired by petrography, a scientific technique used to observe the intimate structure of rocks. Created in collaboration with astrophysicists, biologists and geologists, these photographs blur the boundaries between science and imagination, between the infinitely large and the infinitely small. By revealing traces of deep time inscribed in matter, Planeta reminds us that beneath the city lies a much older history: that of the Earth, its transformations and the living world.
Julien Lombardi lives and works between France and Mexico. At the intersection of photography, anthropology and science, he develops long-term research projects that question our relationship with territories and the ways in which the world is represented. He is the recipient of the 2024 Photography & Science Prize.
With Dami, from the photographic series Fulmen, SMITH explores the boundaries between the visible and the invisible, the body and its environment, the human and the non-human. Shot with a thermal camera, these images reveal a hidden dimension of the living world, in which heat becomes a shared language among all forms of life.
Inspired by ritual experiences encountered in the Amazon, the series transforms landscapes, faces and animals into mysterious apparitions. Displayed in large format across Paris La Défense, these photographs invite us to look differently at the world around us and to perceive the connections, flows and metamorphoses that run through all living things.
SMITH lives and works in Paris. At the intersection of photography, contemporary art and philosophy, their practice explores the boundaries between beings, disciplines, and visible and invisible worlds. They are currently presenting their first solo museum exhibition at the MAC VAL.
PRACTICAL INFORMATION:
As part of the cultural season “Other Worlds”, conceived by COAL for Les Extatiques 2026, presented by Paris La Défense.
This project has been awarded the Bicentenary of Photography label by the French Ministry of Culture and is part of the official Bicentenary programme running from 1 September 2026 to 30 September 2027. It is supported through a partnership with Photo Days.
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